片名：《日本电影钢》

简介：该片讲述了:毓道惆怅哪里弄青瓷土，井儿想起她在师父那里见到☷☷过青瓷土，师父还让她抓在☑✕手里体验土的粘性，♢她告诉毓道她♨知道那里有青瓷土☣✁，毓道正准备和她☏一起去找，光海进来说他✏和她一起去，让毓♦道留下查看他带来☵的书籍。女子与男人，♡♥对家的理解恐怕不一样，男☎人就算什么也不做☶，啃父母的老✍，也是天经地义。S✒☂corsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.